Ellie Robertson

BA (Hons) Artist Designer Maker

My collection is based around explorative journeys I have made sourcing the natural materials for my work. On beaches, quarries and cliff tops I have collected alabaster bone and quartz as the starting point for each unique piece. I am fascinated by the beautiful materials that can be found throughout nature and how these can not only be incorporated into but inspire my jewellery pieces. Through casting pewter and woven string, I have explored the structure of quartz formation to create larger statement pieces. I also electroplate found materials that with copper to give them a durability which enables me to create more robust daily wearable pieces. This collection has a distinctive Welsh dimension as it consists of materials sourced from specific in areas in Cardiff, Carmarthenshire and Gwynedd.


Mae fy nghasgliad yn seiliedig ar deithiau ymchwiliadol yr wyf wedi’u gwneud wrth ddod o hyd i’r deunyddiau naturiol ar gyfer fy ngwaith. Ar draethau, mewn chwarelau ac ar ben clogwyni rwyf wedi casglu alabastr, esgyrn a chwarts fel man cychwyn ar gyfer pob darn unigryw. Rwyf wedi fy nghyfareddu gan y deunyddiau prydferth y gellir dod o hyd iddynt mewn natur a sut y gellir nid yn unig ymgorffori’r rhain yn fy narnau gemwaith ond cael fy ysbrydoli ganddynt. Trwy gastio piwter a llinyn wedi’i wau, rwyf wedi ymchwilio i strwythur ffurfiadau cwarts i greu darnau ehangach sy’n gwneud datganiad. Rwyf hefyd yn electroplatio deunyddiau y daethpwyd o hyd iddynt gyda chopr i roi gwydnwch iddynt sy’n fy ngalluogi i greu darnau bob dydd mwy cadarn all gael eu gwisgo. Mae gan y casgliad hwn ddimensiwn Cymreig unigryw gan iddo gynnwys deunyddiau sy’n dod o ardaloedd penodol yng Nghaerdydd, Sir Gâr a Gwynedd.

Other Exhibitors:

Emma Don

Emma Don

Everything I Can See is an autoethnographic project exploring sight through stop motion animation. Since receiving a sight threatening diagnosis in 2012, I have become even more aware of the precious sense informing my artwork. A remission period, after 10 years of...

Bethan Lowri Hughes Jones

Bethan Lowri Hughes Jones

Gwyllt y Ddaear This collection is a combination of commercial and hand-sourced materials; combined to improve the sustainability of my collection. Made from commercial terracotta, which I reclaimed, the main glaze ingredient was wild clay from Traeth Aberlleiniog,...

Brynn Alred

Brynn Alred

How can we create a coexistence with the climate we live in? As a maker and craftsman I seek to nurture an embodied connection with the environments we find ourselves in. Revealing connections between materials and land. Combining these with the people, plants and...

Zoe Worton

Zoe Worton

Currently working in clay and wood, I have created a body of work that demonstrates an eclectic range of processes including hand carving, wood turning, ceramics and advanced technologies. Wood has become my prime material in all its forms, having a functional basis...

Bethan Grace Mason

Bethan Grace Mason

Ocean Essence My admiration for the coastline and the replication of textural elements that are often overlooked is what formed my enthusiasm for this project. ‘Ocean Essence,’ embodies the surroundings of specific shorelines to present wall art through texture,...

Harri Hughes

Harri Hughes

Machine Making Machine Making explores the development of autonomous manufacturing devices, pushing the boundaries of what is possible with 3D printing clay, and developing novel approaches to ceramic manufacture. Drawing inspiration from my interest in throwing, I...