Katie Weyman

MA Ceramics

Self-Portrait

“But if you look long enough, eventually you will be able to see me”
– Margaret Atwood.

Self-Portrait is a part of a ceramic and theoretical investigation into what portraiture can reveal to the viewer. This collection of ceramic objects physically describes the process which I have undertaken to complete my Masters, starting with the thesis of my work, then onto the premise and continuing to the development in which this degree has taken myself to.

Each piece in the collection has a narrative and a symbolic value of its own, unravelling itself through the internal and external space morphing itself into another object. Each ceramic object symbolises a part in my life up until this moment in time. The use of colour and form gives all the individual objects their own persona, removing the peripheral and replacing them with the essential qualities needed to connect the viewer to the object.

Self-portraiture allows the viewer to find oneself, the tyranny of something, having different values of an object. Self-Portrait is the portraiture of objects, of my own objects that help symbolise and dissect my life.

http://www.katieweymanceramics.com

Other Exhibitors:

Josephine Phillips

Josephine Phillips

"I create narratives which draw upon a precarious, dormant underworld. These brightly coloured figures gently ooze and slip, creating a tension that is both dark and humorous. Unsettling characters play out a scenario full of secrecy, inviting the viewer to bear...

Wenqing Chen

Wenqing Chen

"I am interested in breaking the visual and thinking habits in people's daily life, referencing different materials to recreate familiar objects. A combination of elements: Woolen yarn Rope winding Stacking sticks Torn paper Collage fabric Hanging chain Explain the...

Sarah E H M H Dashti

Sarah E H M H Dashti

Reincarnation of a sound wave into a ceramic sound creature medium, airing the manifestation of coruscating vibrant color energy, with a performance of graceful motion of choreographed layers.

Sam Lucas

Sam Lucas

Only through the making do I look in. Not a looking predominantly with my eyes, a looking with my body, ending and beginning with my hands or more precisely my finger tips and thumb. Both hands working together in a repetitive, cathartic, rhythmic motion. Twisting...

Ashleigh Parsons

Ashleigh Parsons

Red, the feeling of enticement combined with deep red, the alluring pull of seductive intrigue. Black, the tension between intimacy and venture, and gold, the ripple of fulfilment. The abstract physical feelings turn into alluring colours to reveal feminine burning...

Kim Colebrook

Kim Colebrook

"We see, we read – but do we question, or do we take the traditional, obvious interpretation unchallenged? Can we be encouraged to seek alternate meanings, inspired to look beyond the narrow line that often divides, to find a new way of looking? A hole is both the...