The universal source of communication is through frequency, not language.
When you remove the language and a learnt pattern of communication you are left with a range of frequencies. Frequencies are constantly being emitted through our brainwaves, our cellular structure, and our environment, they are interacting and restructuring, creating constant oscillation and movement with all living things.
Through the loss of my own voice, I began to experience Synaesthesia. Synaesthesia is a condition in which someone experiences things through their senses in an unusual way, for example, colour as sound, music as colour, or numbers as a position in space. I became aware that nonverbal and inaudible communication is taking place in the space around us and within us. My process is based on my experience of a sensual, embodied communication within the physical environment through cellular and molecular movement, vibration and sound.
In my practice, I create an experience of that transfer through audible and inaudible information to the viewer bringing into focus the presence of oneself has an effect on their surroundings. To create my work I use various software and hardware applications to explore the deconstruction and transference of sound frequencies.
My practice is informed by scientific evidence and research within the fields of acoustic physics, nanotechnology, biophysics and sonocytology (the study of frequency output by cells). This includes scientific research by Dr. Paul Thomas, Hans Jenny, John Stuart Reid, Ernst Chladni, and the work of Anne Niemetz and Andrew Pelling.
Drwy seindonnau y bydd y rhan fwyaf o gyfathrebu’n digwydd ac nid drwy iaith. Pan fynnwch wared ar iaith a phatrwm cyfathrebu rydych wedi’u ddysgu, yr hyn sydd ar ôl yw ystod o seindonnau. Caiff tonnau eu hallyrru’n gyson o’n hymennydd, o’n strwythur cellog, a’n hamgylchedd; byddan nhw’n rhyngweithio ac yn ail-strwythuro, gan greu osgiliadu a symud cyson gyda phopeth byw.
Oherwydd i mi golli fy llais, dechreuais brofi synesthesia. Mae synesthesia yn gyflwr lle y bydd rhywun yn profi pethau drwy ei synhwyrau mewn ffordd anghyffredin, er enghraifft lliw fel sain, cerddoriaeth fel lliw, neu rifau fel safle mewn gofod. Fe ddes i ddeall bod cyfathrebu di-eiriau ac anghlywadwy yn digwydd yn y gofod o’n cwmpas a’r tu mewn i ni. Mae fy mhroses yn seiliedig ar fy mhrofiad i fy hun o gyfathrebu synhwyraidd, corfforedig o fewn yr amgylchedd ffisegol drwy sain, dirgryniad a symudiad cellog a moleciwlaidd.
Yn fy ymarfer, byddaf yn creu profiad o’r trosglwyddo hwnnw drwy gynnig gwybodaeth glywadwy ac anghlywadwy i’r gwylwyr. Bydd dod â phresenoldeb yr hunan i ffocws yn effeithio ar eu hamgylchoedd. Er mwyn creu fy ngwaith byddaf yn defnyddio gwahanol becynnau meddalwedd a chaledwedd er mwyn archwilio dad-adeiladu a throsglwyddo seindonnau. Mae fy ymarfer wedi’i oleuo gan dystiolaeth wyddonol ac ymchwil ym meysydd ffiseg acwstig, nanotechnoleg, bioffiseg a sonocytoleg (astudio’r sain y bydd celloedd yn ei greu). Mae hyn yn cynnwys ymchwil gwyddonol gan Dr. Paul Thomas, Hans Jenny, John Stuart Reid, Ernst Chladni, a gwaith Anne Niemetz ac Andrew Pelling.
