Sammi Pearce

BA (Hons) Artist Designer Maker


I believe that the objects we own should, and can, provide us with more than their function and pure visual pleasure. Through ownership and use, objects should provide a level of emotional fulfilment and enrichment of daily life. This notion is something often overlooked in our capitalist society.

Considering how Scandinavian designers have allowed their regional roots in craft to influence their products, has allowed me to bring a more humanised approach to the traditional functional objects I make. Rather than viewing craft and design as disconnected, I see them as in a harmonious relationship, a relationship which can produce beautiful, innovative products that provide the user with comfort as well as function.

This body of work is designed to be a visual representation of my exploration of the relationship and balance between craft and design, with the Scandinavian design ethos in mind. By combining aesthetics and processes associated with either design or craft, I have attempted to create a body of work that demonstrates a positive collaboration between craft and design. I hope these pieces will provide the user with the afore mentioned sense of emotional fulfilment and enrichment of daily life.


Rwy’n credu y gall, ac y dylai, y gwrthrychau rydym yn berchen arnynt gynnig mwy i ni na’u swyddogaeth a phleser gweledol pur. Drwy fod yn berchen arnynt a’u defnyddio dylai gwrthrychau gynnig lefel o foddhad emosiynol a chyfoethogi ein bywyd bob dydd. Mae’r syniad hwn yn rhywbeth a gaiff ei anwybyddu’n aml yn ein cymdeithas gyfalafol.

Mae ystyried sut gwnaeth ddylunwyr o Sgandinafia ganiatáu i’w gwreiddiau rhanbarthol o ran crefft ddylanwadu ar eu cynhyrchion, wedi caniatáu i mi ddod â dull mwy gwâr i’r gwrthrychau defnyddiol traddodiadol rwy’n eu gwneud. Yn hytrach na gweld crefft a dylunio yn ddau beth datgysylltiedig, rwy’n eu gweld lle maen nhw’n gytun â’i gilydd mewn perthynas sy’n gallu cynhyrchu cynhyrchion hardd, arloesol a fydd yn dod â chysur yn ogystal â defnydd i’r defnyddiwr.

Mae’r corff hwn o waith wedi’i ddylunio i gynrychioli’n weledol fy archwiliad i’r berthynas a’r cydbwysedd rhwng crefft a dylunio â’r ethos dylunio Sgandinafaidd mewn golwg. Rwyf wedi ceisio creu corff o waith sy’n dangos cydweithredu positif rhwng crefft a dylunio. Gobeithio y bydd y darnau hyn yn rhoi’r ymdeimlad o foddhad emosiynol i’r defnyddiwr a’i fod wedi’i gyfoethogi, gan gofio’r sylwadau a wnaed uchod.

Other Exhibitors:

Emma Don

Emma Don

Everything I Can See is an autoethnographic project exploring sight through stop motion animation. Since receiving a sight threatening diagnosis in 2012, I have become even more aware of the precious sense informing my artwork. A remission period, after 10 years of...

Bethan Lowri Hughes Jones

Bethan Lowri Hughes Jones

Gwyllt y Ddaear This collection is a combination of commercial and hand-sourced materials; combined to improve the sustainability of my collection. Made from commercial terracotta, which I reclaimed, the main glaze ingredient was wild clay from Traeth Aberlleiniog,...

Brynn Alred

Brynn Alred

How can we create a coexistence with the climate we live in? As a maker and craftsman I seek to nurture an embodied connection with the environments we find ourselves in. Revealing connections between materials and land. Combining these with the people, plants and...

Zoe Worton

Zoe Worton

Currently working in clay and wood, I have created a body of work that demonstrates an eclectic range of processes including hand carving, wood turning, ceramics and advanced technologies. Wood has become my prime material in all its forms, having a functional basis...

Bethan Grace Mason

Bethan Grace Mason

Ocean Essence My admiration for the coastline and the replication of textural elements that are often overlooked is what formed my enthusiasm for this project. ‘Ocean Essence,’ embodies the surroundings of specific shorelines to present wall art through texture,...

Harri Hughes

Harri Hughes

Machine Making Machine Making explores the development of autonomous manufacturing devices, pushing the boundaries of what is possible with 3D printing clay, and developing novel approaches to ceramic manufacture. Drawing inspiration from my interest in throwing, I...