Siamak Foroutan

MA Ceramics

Abstract Identity

The central concept of my work was a combination of inner space, negative space, rough and distorted volume on uncompleted figures.

The figures that are emotionally shaped and affected by space carry heavy tumour volume and stand on pointy tripod feet which reflects how the position of individuals in space, place of living in society can be so unstable.

These obscure forms which each have a unique identity could never be completed because they are in constant transition of becoming in existence. Nevertheless, the progress of my work gave me a period of time to work with the realisation how the individual identity would shape and reveal his or her identity by not being a stranger.

The blown heavy volume of these figures are communicating the story of displacement and the journey that each of these individuals have seen. The deformed and hollow figures are speaking out about this displacement which rises from their place-identity and their cultural issue. The culture they left behind and attained the new one in their new “dream land “the old identity engraved within mixes with new forming a sort of alienation and frustration within oneself. This is metaphorically sculptured into distorted mutilated forms. These poetic forms reference the struggle by combining duality and two opposite contexts together at the same time. flatulent but empty and representing void.

These forms are constructed by different hand thrown conical shapes and altered while they are hand sculptured together. This mixed hybrid concept juxtaposes the traditional and functional pottery and glazing to the visually abstract form.

The notion of contradiction or being always opposite. being in between physically and mentally, like heaviness and lightness in these vases

– All the energy turned to inside and pushes the skin out, almost like the vase is screaming inside and tearing internally.

Other Exhibitors:

Josephine Phillips

Josephine Phillips

"I create narratives which draw upon a precarious, dormant underworld. These brightly coloured figures gently ooze and slip, creating a tension that is both dark and humorous. Unsettling characters play out a scenario full of secrecy, inviting the viewer to bear...

Wenqing Chen

Wenqing Chen

"I am interested in breaking the visual and thinking habits in people's daily life, referencing different materials to recreate familiar objects. A combination of elements: Woolen yarn Rope winding Stacking sticks Torn paper Collage fabric Hanging chain Explain the...

Sarah E H M H Dashti

Sarah E H M H Dashti

Reincarnation of a sound wave into a ceramic sound creature medium, airing the manifestation of coruscating vibrant color energy, with a performance of graceful motion of choreographed layers.

Georgina Allen

Georgina Allen

In this series of sculptural vessels I explore, material, mark making and the suggestion of family. This act of production, with reference to traditional pottery, has provided a platform for me to express my ideas. This reference to a domestic dining gathering sets up...

Sam Lucas

Sam Lucas

Only through the making do I look in. Not a looking predominantly with my eyes, a looking with my body, ending and beginning with my hands or more precisely my finger tips and thumb. Both hands working together in a repetitive, cathartic, rhythmic motion. Twisting...

Ashleigh Parsons

Ashleigh Parsons

Red, the feeling of enticement combined with deep red, the alluring pull of seductive intrigue. Black, the tension between intimacy and venture, and gold, the ripple of fulfilment. The abstract physical feelings turn into alluring colours to reveal feminine burning...