Caitlin Megan Norman

BA (Hons) Artist Designer Maker

Caitlin Norman in her studio space

This body of work explores the combination of ceramics and willow in order to create functional wall mounted plant pots with an inbuilt trellis. The ceramic element houses a climbing plant such as Ivy while the willow, weaved in a traditional basket pattern creates the trellis for the plant to grow around. The surface of the ceramic pots is also designed in such a way as to encourage moss growth. The weaved element shelters the moss from direct sunlight and small holes hidden in the surface texture allow for drainage and moisture for the moss.

Sustainability has been at the heart of this project and every element has been made with that at the forefront of the design process. The willow was grown locally using traditional methods and will be finished in a non-toxic preservative, free of volatile organic compounds that are highly damaging to the environment. The ceramic was only fired once, in a high temperature vitrify firing. Ceramics are usually fired twice and this reduction resulted in less pollution. High temperature firing also allowed the ceramic to become vitrified, meaning it is no longer porous and therefore highly durable and able to live outside in the harsh UK winter conditions.

My hope is that as the plants intertwine with the trellis and the moss grows, with time they become more beautiful, creating living sculptures. In essence these pieces are made to be loved and to last.


Mae’r corff hwn o waith yn ymchwilio i’r cyfuniad o seramig a helyg er mwyn creu potiau planhigion swyddogaethol i’w gosod ar waliau gyda delltwaith ynghlwm wrthynt. Mae’r elfen seramig yn gartref i blanhigyn dringo fel iorwg tra bod yr helyg, wedi’i gwehyddu mewn patrwm basged traddodiadol yn creu’r delltwaith i’r planhigyn dyfu o’i gwmpas. Mae arwyneb y potiau seramig hefyd wedi’i ddylunio mewn modd sy’n annog mwsogl i dyfu. Mae’r elfen wehyddu’n cysgodi’r mwsogl rhag golau haul uniongyrchol ac mae tyllau bach sydd wedi’u cuddio yng ngwead ar arwyneb yn caniatáu draenio a lleithder ar gyfer y mwsogl.

Mae cynaladwyedd wedi bod wrth wraidd y prosiect hwn ac mae pob elfen wedi’i gwneud gyda hynny fel elfen bennaf o’r broses ddylunio. Cafodd yr helyg ei dyfu’n lleol gan ddefnyddio dulliau traddodiadol a bydd yn cael ei orffen mewn cadwolyn diwenwyn, yn rhydd rhag cyfansoddion organig anweddol sy’n dra niweidiol i’r amgylchedd. Dim ond unwaith y taniwyd y seramig, mewn tân gwydreiddio tymheredd uchel. Fel arfer, caiff seramig ei danio ddwywaith, ac arweiniodd y gostyngiad hwn at lai o lygredd. Roedd tanio tymheredd uchel hefyd yn caniatáu i’r seramig gael ei wydreiddio, sy’n golygu nad yw bellach yn fandyllog ac felly’n hynod o gadarn ac yn gallu bodoli y tu allan i amodau gaeaf garw y DU.

Fy ngobaith yw, wrth i’r planhigion gydblethu â’r delltwaith a’r mwsogl dyfu, gydag amser maent yn mynd yn fwyfwy prydferth, gan greu cerfluniau byw. Yn ei hanfod, mae’r darnau hyn yn cael eu gwneud i gael eu caru ac i barhau.

Other Exhibitors:

Emma Don

Emma Don

Everything I Can See is an autoethnographic project exploring sight through stop motion animation. Since receiving a sight threatening diagnosis in 2012, I have become even more aware of the precious sense informing my artwork. A remission period, after 10 years of...

Bethan Lowri Hughes Jones

Bethan Lowri Hughes Jones

Gwyllt y Ddaear This collection is a combination of commercial and hand-sourced materials; combined to improve the sustainability of my collection. Made from commercial terracotta, which I reclaimed, the main glaze ingredient was wild clay from Traeth Aberlleiniog,...

Brynn Alred

Brynn Alred

How can we create a coexistence with the climate we live in? As a maker and craftsman I seek to nurture an embodied connection with the environments we find ourselves in. Revealing connections between materials and land. Combining these with the people, plants and...

Zoe Worton

Zoe Worton

Currently working in clay and wood, I have created a body of work that demonstrates an eclectic range of processes including hand carving, wood turning, ceramics and advanced technologies. Wood has become my prime material in all its forms, having a functional basis...

Bethan Grace Mason

Bethan Grace Mason

Ocean Essence My admiration for the coastline and the replication of textural elements that are often overlooked is what formed my enthusiasm for this project. ‘Ocean Essence,’ embodies the surroundings of specific shorelines to present wall art through texture,...

Harri Hughes

Harri Hughes

Machine Making Machine Making explores the development of autonomous manufacturing devices, pushing the boundaries of what is possible with 3D printing clay, and developing novel approaches to ceramic manufacture. Drawing inspiration from my interest in throwing, I...