It's Not Just Black and White There is invisible disability; impairment not immediately apparent but impactful nevertheless. In a practice that is essentially autobiographical, Rachael explores her own experiences of being a former circus performer and climbing...

My work is an exploration of the Welsh landscape and Welsh culture through the form of functional ware. The maps of North and South Wales contain rich information; the South being generally busier and areas in the North much quieter. Using different techniques such as...

The Intimacy of Objects Experience; empiricism, cause behind memory, ignited and recalled through interaction with form and recognition. Objecthood, artefacts as portals to memory, connections to places and relations. Selective, through choice of retaining so to...

Long Instrumental The process of making is as much a part of the final outcome as the physical piece itself. Taking a lowly material such as mud; formless and dissolving, and creating an object able to convey a sense of simplicity and quietude. The vessel is humble,...

The traditions of the potters wheel are used as a starting point; the core elements of function and raw clay are never lost. Yet, the boundaries of its ambition are crossed by pushing form to its limit; the simplicity of glaze not distracting but emphasizing convex...

My work is about expulsion of emotion through the medium of ceramics Sensation Our emollient flesh Surface like skin Delicate Susceptible Scarred

Volcanology These coil and sculptural built forms have a strong alignment with nature embodying mountains, volcanoes, great edifices to behold, with a hint of illustrative prowess adding a simplistic but yet still curiously playful element. The work aims to reach out...

I am a potter who produces handmade vessels on the potter's wheel, expressing the qualities of the stoneware and porcelain clays that I use. Formal forms and patterns are inspired by traditional Korean and Japanese aesthetics, precisely constructed and encouraged to...

There is an importance in death, life is fragile but to celebrate this fragility can be therapeutic and offer a different perspective from which to view the world. My work is organic, inspired by fungi and coral creating a sense of growth and at the same time decay,...

Working according to Formalist tradition, the form of these symmetrical profiles is as important as the negative space that surrounds it creating a certain rhythm as the eye moves from piece, to space, to piece again. Architectural in their structure, their...

Whilst functional, these tiles also create optical illusion, suggesting space through strategic placement and choice of colour. Their encaustic earthenware surface is left unglazed or to achieve a water resilience, decorated with a clear glaze and able to decorate and...

This body of work examines the effect of time and movement on our landscape, specifically the evolution of the coastline. Large scale fragmented sculptures are informed by objects collected from the shore; objects altered and shaped by their journey across the sea....

As a potter, the use of materials directly sourced from the landscape informs the ethos of my practice. The pot is used as much as a reminder of the earth's nature as it is a functional vessel. As opposed to buying materials from a shelf, materials such as wood ashes...

Migration The movement of birds when they migrate is expressed in an abstract, narrative and contemporary form. Not exact or literal, but rather "constructed" and "deconstructed" in a two- dimensional and three-dimensional form, exploring different bird species and...

Time, Memory and Residue Ephemerality, a state of flux, memory, and the fragmentation of relationships are concepts rooted in my artistic practice. I explore these ideas by making humble, familiar objects, such as vessels, alongside the ambiguous, small, intricate...