Georgia Davies

BA (Hons) Fine Art

These paintings create an illusion that provokes an emotive state, in the same sense as to how depression has a certain hold on you. The viewer feels a sense of being pushed and pulled whilst looking at the paintings – just like being under a trance. After experiencing depression, feeling a sense of confusion, numbness and a mix of emotions, I wanted to create a series of work that materialise these feelings. The reoccurring colour blue is a symbol of my state of mind during this period. By using colour as symbolic, transcending from the blues into a more optimistic colour means that the emotive associations are subjective; the viewer may associate these colours with a certain feeling too. Viewers can therefore individually hold their own emotive view on the paintings.


Mae’r peintiadau hyn yn creu darlun sy’n creu emosiwn, yn yr un modd ag y mae iselder yn cael gafael arbennig ynddoch chi. Mae’r gwyliwr yn teimlo ei fod yn cael ei wthio a’i dynnu tra’n edrych ar y peintiadau – yn union fel petai mewn perlewyg. Ar ôl profi iselder, a theimlo’n dryslyd, yn ddideimlad a chymysgedd o emosiynau. Roeddwn i am greu cyfres o waith sy’n dod â’r teimladau hyn i’r golwg. Mae’r lliw glas sy’n cael ei ailadrodd yn symbol o gyflwr meddwl. Drwy ddefnyddio lliw mewn modd symbolig, mae symud o’r glas i liw mwy optimistig yn golygu bod y teimladau emosiynol cysylltiedig yn rhai goddrychol; gall y gwyliwr gysylltu’r lliwiau hyn â theimladau arbennig hefyd. Felly, bydd gan y gwylwyr eu barn emosiynol eu hun ar y peintiadau.

Other Exhibitors:

Caitlyn Laye

Caitlyn Laye

My artwork was initially inspired by the rave scene which is usually an intense environment of music, colour and lights. I decided to recreate the feelings that my experience evoked, with the use of illuminative acrylics and spray paints on canvas. As spray painting...

Chloe Winder

Chloe Winder

Our species has become increasingly disconnected from nature. I focus on landscapes of personal significance and/or landscapes that have been disrupted by industrial use. Materials from these sites (often rocks, muds, and bricks) are used through a process-orientated...

Rebecca Jones

Rebecca Jones

Non-linear narratives such as unreliable memories, leaky dreams and deja vu are a central reference within my practice. I address the structure of these forms of narrative using repetition, replication and iterations of time. My work is largely sculptural, using...

Rachel Verner

Rachel Verner

Exploring the fragmentation of memory through the physicality of found objects and the spoken word, my work has become an archive of my family history. Due to the archival nature of my work, I replicate ways of preserving my objects through the attentiveness of their...

India Beaudro

India Beaudro

In my current practice I am concerned with the objectivity and phenomenology of colour. Through using media such as light and coloured acetate, my present work is intentionally focused and uncluttered, allowing colour to be considered as a singularity without any...

Katie Berry

Katie Berry

With a love for colour my work addresses form and shape and the impact this has on a space. I am demonstrating how the use of bright colour can create maximum optical impact. I’m interested in pattern and repetition to create a visual aesthetic whilst whilst working...