Georgie Phillips

BA (Hons) Ceramics


Whilst functional, these tiles also create optical illusion, suggesting space through strategic placement and choice of colour.

Their encaustic earthenware surface is left unglazed or to achieve a water resilience, decorated with a clear glaze and able to decorate and protect walls, particularly in areas such as the kitchen and bathroom.

They are also an art installation, although geometric and involving digital processes, they retain a sense of the organic, much like ivy climbing a wall, echoing the repetition of shapes and pattern apparent in nature. The pristine shapes set in contrast to subtle marbleised pattern and specks of grog.

Blending traditional methods of slip casting with digital laser cut forms, the tiles capture wandering eyes; inviting you into a depth of colour and form; an immersion prompting you to slip into a daydream.

www.georgphillips.co.uk

Other Exhibitors:

Rosie Harman

Rosie Harman

My work expresses the personal: the highs and lows of the lived experience, illustrated through an enlivening combination of colour and pattern, figuration...

Jane L MacFarlane

Jane L MacFarlane

I collect ceramics because I feel connections in the stories that they embody. I see them as gateways to the tacit complexities of lives lived. Objects can tell...

Faye Green

Faye Green

As a maker I am inspired by historical events and the people around me, transforming this into unique illustrations applied to a diverse collection of surfaces...

Emily Whitworth

Emily Whitworth

My work explores the energy and vibrancy I see in the world that surrounds me. The work is a mirror of the qualities I see. Using extruders, slips and glazes I...

Clare Stephens

Clare Stephens

My previous profession as a midwife compliments the values and ideas within my ceramics, fostering an appreciation of diversity, unity, fragmentation and...

Nicholas Stenhouse

Nicholas Stenhouse

Material Synergies: Capturing the Immediacy of Thought & Feeling As an artist, I employ the agency of ceramics to anchor my subjective emotion. The work in turn...