Jillian Goodrich

BA (Hons) Fine Art

Curved Perspective of Place

My recent body of work has been an exploration of the interaction between memory and places that are liminal or transitory. With this, I draw on the idea of the ‘non-place’; the idea that spaces that do not contain any significance to someone might be regarded as not a place. Place and non-place exist in degrees rather than a pure single state because of its subjective nature. These liminal spaces are often encountered while traveling from one place to another or even in spaces where your primary goal to arrive elsewhere. I paint from my own extensive experiences and memories of travel and my memories of being suspended in the transitory. Fragmented memory, also existing in a flexible state, is unreliable with details resulting in images of the shape of the space without significant detail. By bending the canvas and its interpretation of perspective, the aim of this work is to give a different understanding any non-places that might been countered.

www.jgartistry.weebly.com

Other Exhibitors:

Caitlyn Laye

Caitlyn Laye

My artwork was initially inspired by the rave scene which is usually an intense environment of music, colour and lights. I decided to recreate the feelings that my experience evoked, with the use of illuminative acrylics and spray paints on canvas. As spray painting...

Chloe Winder

Chloe Winder

Our species has become increasingly disconnected from nature. I focus on landscapes of personal significance and/or landscapes that have been disrupted by industrial use. Materials from these sites (often rocks, muds, and bricks) are used through a process-orientated...

Rebecca Jones

Rebecca Jones

Non-linear narratives such as unreliable memories, leaky dreams and deja vu are a central reference within my practice. I address the structure of these forms of narrative using repetition, replication and iterations of time. My work is largely sculptural, using...

Rachel Verner

Rachel Verner

Exploring the fragmentation of memory through the physicality of found objects and the spoken word, my work has become an archive of my family history. Due to the archival nature of my work, I replicate ways of preserving my objects through the attentiveness of their...

India Beaudro

India Beaudro

In my current practice I am concerned with the objectivity and phenomenology of colour. Through using media such as light and coloured acetate, my present work is intentionally focused and uncluttered, allowing colour to be considered as a singularity without any...

Katie Berry

Katie Berry

With a love for colour my work addresses form and shape and the impact this has on a space. I am demonstrating how the use of bright colour can create maximum optical impact. I’m interested in pattern and repetition to create a visual aesthetic whilst whilst working...