I’m a ceramic gardener.

I believe all matter should be considered alive and vital. Through attentive human intervention, material can be cultivated into forms that are not dominated by pure human will, but are collaboratively shaped by the world and its forces. Clay borders the organic and the inorganic. It is one of the most physically sympathetic materials, making it an ideal substrate to mutually grow.

Employing the metaphor of a gardener enables me to forefront the unpredictable and vital dimensions of clay. This method of making allows me to strike a balance between organic and artificial, the real and imagined, outdoor and domestic, human and more-than-human.

During the process of hand building I press clay into my palm, transferring lines and folds which imply veins that seek to nourish the sculpture. The sculptures are adorned with tin glaze and colourful marks that explore the essence of growth captured in botanical illustrations. I also utilise specifically made gardening tools to extend the narrative of cultivation; cast in bronze, they refer to the beginnings of human agriculture, as well as the first cultivation of minerals and metals.

The final works explore ideas about our interaction with the world, and our role in nature.