Sophia Joy Warner

BA (Hons) Fine Art

Within today’s society, we have become so conditioned and blind sighted by the truth. I explore the devastating effects our simple food choices has upon the environment and our health. My work will make people more curious and question the food industries and everything that they have led us to believe. Animal agriculture is the leading cause of deforestation, water consumption and pollution, it is responsible for more greenhouse gases than the transportation industry, and it’s a primary driver to rain forest destruction, species extinction, habitat loss, topsoil erosion, ocean dean zones and virtually every other environmental ill. Yet it still goes on, almost entirely unchallenged. If I can shape one person’s way of thinking through my art that will be my job done.

I have chosen to focus my energies into etching as my main medium because it has the most wonderful varied techniques within it. I enjoy the technical side of this way of working the rigour of the process and attention to detail. At etchings core is a traditional drawing element, which allows the prints to have a detailed quality to them. I have most certainly surprised myself with how increasingly this appeals to me, as it has allowed my drawing to become more confident.


Yn y gymdeithas sydd ohoni heddiw, rydyn ni wedi’n cyflyru cymaint a fy nallu gan y gwirionedd. Rydw i’n ystyried effeithiau dinistriol ein dewis o fwyd syml ar yr amgylchedd ac ar ein hiechyd. Bydd fy ngwaith yn ennyn chwilfrydedd pobl fel eu bod yn cwestiynu’r diwydiannau bwyd a phopeth maen nhw wedi ein harwain i gredu. Amaethu anifeiliaid yw prif achos datgoedwigo, y defnydd o ddŵr a llygredd. Mae’n gyfrifol am fwy o nwyon tŷ gwydr na’r diwydiant cludiant, ac achos sylfaenol dinistrio fforestydd glaw, difodiant rhywogaethau, colli cynefin, erydu uwchbridd, parthau marw moroedd a bron pob aflwydd amgylcheddol arall. Ac eto mae’n dal i ddigwydd yn ddiwrthwynebiad. Os galla i newid ffordd o feddwl unigolyn drwy fy nghelf , yna bydd a i wedi gwneud fy gwaith.

Rydw i wedi dewis ffocysu fy egni ar ysgythru fel fy mhrif gyfrwng oherwydd ei fod yn cynnwys technegau amrywiol rhyfeddol. Rydw i’n mwynhau ochr dechnegol y dull hwn o weithio, manwl gywirdeb y broses a’r sylw a roddir i fanylder. Yn greiddiol i ysgythru mae’r elfen lluniadu traddodiadol sy’n golygu bod rhinweddau manwl i’r printiadau. Rydw i wedi synnu fy hun bod hyn yn apelio fwyfwy ata i gan ei fod wedi caniatáu i mi luniadu’n fwy hyderus.

Other Exhibitors:

Cerys Powell

Cerys Powell

My work explores the relationship between a space and the art in it. I have become intrigued by how a painting can effect a space, exploring corporate art, it can be used to influence productivity and creativity in that environment. With influence from Colour Theory,...

Lauren Robins

Lauren Robins

I create detailed portraiture paintings that take a view of the uncanny, the subconscious, and the unconscious mind. I use acrylic paint to create my pieces but have recently been exploring oil paint and mixed media. I enjoy using the fluidity of the mediums and...

Mia Offelia

Mia Offelia

We have never been so connected yet so alone. The internet has become integral to our daily lives, no element of our existence seems untouched by it. But have we been caught and paralysed in the web? We are constantly on display and exposed, yet anonymous. We seem to...

Aimee-Victoria Penny

Aimee-Victoria Penny

My work is currently exploring texture and abstraction, with acrylic paint being my main medium through the repetitive motion of building layers. I am presently experimenting with wallpaper and plaster, by layering through a variety of applications, such as sanding,...

Leigh Hedd Roberts

Leigh Hedd Roberts

I would describe my art as confessional; I take inspiration from my life events and feelings surrounding these experiences, I translate this through my work. I see my practice as a portal from my life in which I can lose myself and explore the deepest truths of my...

Erin Donnelly

Erin Donnelly

I have recently been exploring ideas related to the home and memory, and how they form identity. I am interested in how to defy the imperative to follow a linear structure in personal narrative and instead look for a more honest depiction of memory, which is itself...