Thalia Dougourou

BA (Hons) Illustration

Using both visual and lexical storytelling, I explore African history and culture while investigating its absence in the learning of young black students. Growing up in the UK, I became aware that the black history being taught in schools did not go beyond slavery, the generational trauma of racism and the dehumanisation of black people. These are important topics that need to be taught however branding pain and suffering as the entirety of black history creates an unconscious bias within black students, therefore causing them to feel inferior to their white counterparts.

Additionally, only teaching about slavery and the struggles of African people suggests that black history begins at the point of colonialism which is incorrect. The Eurocentric curriculum is something I aim to deconstruct because it reinforces the sense of not belonging.

My parents told me and my siblings stories from our Ivorian heritage that their parents had passed down to them and they also taught us about our culture and spiritual customs. This made me proud of culture and reduced the feeling of inferiority.

I want to share the beauty of African heritage through myths and culture so that people can not only learn but also appreciate it from a non Eurocentric perspective.


Gan ddefnyddio adrodd straeon gweledol a geirfaol, rwy’n archwilio hanes a diwylliant Affricanaidd tra’n ymchwilio i’w habsenoldeb wrth ddysgu myfyrwyr du ifanc. Wrth dyfu i fyny yn y DU, fe ddes i’n ymwybodol nad oedd yr hanes du a oedd yn cael ei addysgu mewn ysgolion yn mynd y tu hwnt i gaethwasiaeth, trawma hiliaeth drwy genedlaethau a dad-ddyneiddio pobl dduon. Mae’r rhain yn bynciau pwysig y mae angen eu haddysgu, fodd bynnag, mae brandio poen a dioddefaint fel hanes du yn ei gyfanrwydd yn creu rhagfarn ddiarwybod mewn myfyrwyr du, gan achosi iddyn nhw deimlo’n israddol i’w cymheiriaid gwyn.

Yn ogystal, mae addysgu am gaethwasiaeth a brwydrau pobl Affricanaidd yn unig yn awgrymu bod hanes pobl dduon yn dechrau ar bwynt eu gwladychu, sy’n anghywir. Mae’r cwricwlwm Ewrocentrig yn rhywbeth rwy’n ceisio ei ddadadeiladu gan ei fod yn atgyfnerthu’r ymdeimlad o beidio â pherthyn.

Adroddodd fy rhieni straeon wrthyf fi a’m brodyr a’m chwiorydd am ein treftadaeth Iforiaidd yr oedd eu rhieni wedi eu trosglwyddo iddyn nhw ac fe wnaethon nhw ein haddysgu ni am ein diwylliant a’n harferion ysbrydol hefyd. Roedd hyn yn fy ngwneud yn falch o ddiwylliant ac yn lleihau’r teimlad o israddoldeb.

Rydw i am rannu harddwch treftadaeth Affricanaidd drwy fythau a diwylliant fel y gall pobl nid yn unig ddysgu amdano ond ei werthfawrogi o safbwynt nad yw’n Ewrocentrig hefyd.


• https://storiesbythalia.wixsite.com/tjdillustration
• https://instagram.com/tjd.illustration/

Other Exhibitors:

Megan Vest

Megan Vest

Image and text holds a significant value to my practice as an illustrator. Interpreting pre-existing narrative through my own visual language revives an appreciation for this relationship, as well as reanimating these texts. It is vital that we continue to acknowledge...

Daisy Osborne-Walsh

Daisy Osborne-Walsh

As an artist, I aim to be a positive agent for change and increase awareness on topics I find most important. My work is fuelled by my passion to shed light on social injustices, specifically effecting women. The topic basis of my work is often regarding sexual...

Chris Evans aka Queerbis

Chris Evans aka Queerbis

Queerbis is an Activist Illustrator who wants to change the world, while having some fun doing it. Their new design movement titled ‘Bis Design’ recognises society’s biased construction, and as a result gives the ‘power of bias’ back to anyone who is disadvantaged or...

Kodchamon Jermlae

Kodchamon Jermlae

As an artist, I tend to observe the environment I have been through, a consequence of feelings and opinions. The reality is that nothing and no one is perfect. One of the most common reasons for the creative block is the fear of imperfection. This has always been a...

Rosina Rooke

Rosina Rooke

A Cardiff based artist, originally from the Valleys, who focuses on the embrace of life of animate and inanimate objects and bringing a message to their meanings. Exhibited is Rosina Rooke’s latest project work, the decay of food over time. I specialise in a variety...

Rhiannon Griffiths

Rhiannon Griffiths

The Room of Empowerment is an immersive experience that is a thought-provoking assortment of painted fabrics, patterned wood and other multi-mediums, that removes the need of wordly constraits and thrusts you into the land of the fairytale. This mesmeric storybook...