Jason Gregory

MFA

Events

I present transitional events, hybrids of physical and emotional experience concerned with states of crisis and transformation. There is a deep connection with the infinite and interconnected elements of natural and urban landscapes, in abstraction, they mutate into reflections of the unknowable.

The paintings suggest a liminal, in-between space preceding a threshold event, in many works the paint becomes a structurally ambivalent mass, created through repeated negation and re-application of paint. Although unintentionally seductive, areas of active paint appear as blooms of colour moving into existence, suggesting a revelation of things hidden. This was however not a conscious thought in the creation of the work, rather a unplanned outcome of the making.

Unthinking actions play a significant role in the creation of my paintings, through the act, the work becomes a source of ontological enquiry, where do we retreat when our reality is in flux or crisis?

The vertical stripes are used to create a sense of connectivity, they also represent the cyclical, carrying narrative from one work into the next, an implied constant.

I often reference landscapes that associate with spiritual events which I document through semi-representational drawing and photography on location. I take inspiration from many painting genres including, traditional Chinese landscape, abstract expressionism, English romantic, and provisional painting. I employ contemporary apocalyptic rhetoric and related philosophy forming a totality in the creation of works

www.jgregoryart.co.uk

Other Exhibitors:

Brendan Stokes

Brendan Stokes

Colossus The final sculptural outcome for my masters, Colossus (2017) embodies what I would define as the qualities of the monumental body through facilitating its own particular spectacle. The bodies I present within my sculptural practice exists within a diverse...

Wendy Mcleod

Wendy Mcleod

Primarily a painter my work shows evidence of traditional figurative painting focusing on the genre of still life. This representational painting is juxtaposed with a more painterly approach leading to abstraction that explores the language of paint and colour. By...

Philip Shaw

Philip Shaw

Shifting Positions “In every outthrust headland, in every curving beach, in every grain of sand there is the story of the earth”. - Rachel Carson (1907-1964), Marine Biologist As a sculptor, with a natural affinity for modelling and shaping resistant materials, I am...

Natalie Ramus

Natalie Ramus

My practise is predominantly concerned with examining the relationship we have with our physical self in a way that is not completely comfortable, but equally not destructive. As intellectual beings it is easy to lose touch with the physical experience of our body....

Amelia Seren Roberts

Amelia Seren Roberts

Garments for a party [to which she was not invited] My practice involves the making by-hand of garments that explore the interwoven nature of physical and psychological comfort and discomfort. I am interested in clothing as a means of silent communication;...

Lisa Evans

Lisa Evans

Temporary Decomposition (100 balloons) My current work is concerned with juxtaposition between industry (durable) and the domestic (organic), which addresses my interest in the abject body as a vessel. I explore the liminal spaces of the human experience, negotiating...