James Szylobryt

BA (Hons) Fine Art

‘105’ & ‘4’

My practice involves printmaking and drawing. I am interested in creating elaborate patterns and designs that often display symmetry, and the illusion of depth. The absence of planning leads to spontaneous outcomes that are as much about the process of creating, as the marks that are made. The repetitive nature of my work requires a considerable amount of patience and time. This has lead me to explore the concept, of whether this time consuming and handmade process, has more value than a digitally machined equivalent, that would take a fraction of the time and effort.

To demonstrate this, I have created two 6ft x 4ft woodcut carvings. One has been hand cut by myself over one hundred hours, and the other has been CNC machine cut only over a few. These woodblocks have been used to make full sized pints of the design also.

By displaying the woodcut blocks and prints alongside each other, the viewer is able to compare and contrast the subtle nuances between the two processes. They can determine which piece they favour, and why certain elements of its manufacturing process have aided this decision.

Other Exhibitors:

Caitlyn Laye

Caitlyn Laye

My artwork was initially inspired by the rave scene which is usually an intense environment of music, colour and lights. I decided to recreate the feelings that my experience evoked, with the use of illuminative acrylics and spray paints on canvas. As spray painting...

Chloe Winder

Chloe Winder

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Rebecca Jones

Rebecca Jones

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Rachel Verner

Rachel Verner

Exploring the fragmentation of memory through the physicality of found objects and the spoken word, my work has become an archive of my family history. Due to the archival nature of my work, I replicate ways of preserving my objects through the attentiveness of their...

India Beaudro

India Beaudro

In my current practice I am concerned with the objectivity and phenomenology of colour. Through using media such as light and coloured acetate, my present work is intentionally focused and uncluttered, allowing colour to be considered as a singularity without any...

Katie Berry

Katie Berry

With a love for colour my work addresses form and shape and the impact this has on a space. I am demonstrating how the use of bright colour can create maximum optical impact. I’m interested in pattern and repetition to create a visual aesthetic whilst whilst working...