Loretta’s work stems from her fascination with the female form and the elusive nature of one’s inner self, connectivity between body and clay is imperative. Loretta’s work is subjective to the viewer, it is important within her practice to evoke reactions and engage the thoughts of her audience.
Mapping our Sensorial Field To live in the world is a bodily experience; we are formed in part by the textures, sounds, smells and shapes that surround us as...
Self-Sourcing Materials – a life Defined in Relation to the Earth “Every object, well contemplated, opens up new organs of perception within us.”- Johann...
Archetypal Objects: A Serene Domesticity Our natural tendency is to find meaning within everything. Even function is an explicit exploration of human...
Fractals: Assembling an Intricate Beauty There is beauty in the natural world, the texture, colour and formations of land and sea. The colours of the ocean and...
Autobiographical Coastal Forms I was bought up on the rural coast of Devon during the time of great social economic and technical change; the 1950’s 60’s and...
Alchemy and Emotional Storytelling Nature always wears the colors of the spirit Looking into the beauty of nature is a most exciting thing for me, because it...