Harri Hughes

BA (Hons) Artist Designer Maker

Machine Making

Machine Making explores the development of autonomous manufacturing devices, pushing the boundaries of what is possible with 3D printing clay, and developing novel approaches to ceramic manufacture.

Drawing inspiration from my interest in throwing, I have developed a rotating print bed which mirrors the spinning potter’s wheel, the addition of an automated rib mechanism enables the machine to alter and manipulate the 3D printed clay.

This research is an exploration in how processes associated with throwing can also be applied to the 3D printed form, it is an attempt to imitate this sensory mode of making through mechanical process. Throwing is a profound sensory mode of making, where a haptic relationship is formed between maker and material, each influencing and informing the other. Attempting to imitate and automate such a complex and intangible experience is fraught with difficulty.

The project has also involved the development of my own clay recipes for printing, in the attempt to discover the perfect clay which doesn’t shrink too much when fired, and moves freely when extruded, while also being firm enough to maintain its structure.

Further development could see the addition of other automated processes, including a drying tunnel, and handle attaching device. The dual-axis armature can also hold a plethora of tools, from cutting wires to decorating bushes; the possibilities are endless.


Gwneud Peiriannau

Mae ‘Gwneud Peiriannau’ yn ystyried datblygiad dyfeisiadau gweithgynhyrchu ymreolaethol, gan wthio ffiniau yr hyn sy’n bosibl drwy gyfrwng clai argraffu 3D, a datblygu dulliau newydd o gynhyrchu cerameg.

Drwy gael fy ysbrydoli gan fy niddordeb mewn taflu, rwyf wedi datblygu gwely argraffu sy’n cylchdroi ac yn adlewyrchu’r troi sy’n digwydd ar olwyn crochenydd, ac mae ychwanegu mecanwaith cefnen awtomataidd yn galluogi’r peiriant i newid a manipiwleiddio’r clai 3D printiedig.

Archwiliad o’r modd y gellir defnyddio prosesau sy’n ymwneud â thaflu ar gyfer y ffurf 3D printiedig yw’r ymchwil hwn, mewn ymgais i ddynwared y modd synhwyrus yma o greu drwy broses fecanyddol. Mae taflu yn fodd hynod synhwyrus o greu, lle y ffurfir perthynas gyffyrddiadol rhwng yr un sy’n creu a’i ddeunydd, gyda’r naill yn dylanwadu ar y llall ac yn ei lywio. Mae ceisio dynwared ac awtomeiddio’r fath brofiad cymhleth ac anghyffyrddadwy yn frith o anawsterau.

Mae’r prosiect yn ymwneud hefyd â datblygu fy ryseitiau clai fy hun ar gyfer argraffu, mewn ymgais i ddatgelu’r clai perffaith nad yw’n lleihau gormod wrth ei danio, ac yn symud yn hawdd wrth ei allwthio, gan ddal yn ddigon caled i gynnal ei strwythur.

Dylai datblygiad pellach weld ychwanegu prosesau awtomeiddiedig eraill, yn cynnwys twnnel sychu, a dyfais cysylltu dolen. Gall y fframwaith ddwy echel hefyd ddal amrywiaeth o offer, o dorri gwifrau i addurno llwyni; mae’r posibiliadau’n ddiddiwedd.


• https://www.instagram.com/hch.3d/

Other Exhibitors:

Emma Don

Emma Don

Everything I Can See is an autoethnographic project exploring sight through stop motion animation. Since receiving a sight threatening diagnosis in 2012, I have become even more aware of the precious sense informing my artwork. A remission period, after 10 years of...

Bethan Lowri Hughes Jones

Bethan Lowri Hughes Jones

Gwyllt y Ddaear This collection is a combination of commercial and hand-sourced materials; combined to improve the sustainability of my collection. Made from commercial terracotta, which I reclaimed, the main glaze ingredient was wild clay from Traeth Aberlleiniog,...

Brynn Alred

Brynn Alred

How can we create a coexistence with the climate we live in? As a maker and craftsman I seek to nurture an embodied connection with the environments we find ourselves in. Revealing connections between materials and land. Combining these with the people, plants and...

Zoe Worton

Zoe Worton

Currently working in clay and wood, I have created a body of work that demonstrates an eclectic range of processes including hand carving, wood turning, ceramics and advanced technologies. Wood has become my prime material in all its forms, having a functional basis...

Bethan Grace Mason

Bethan Grace Mason

Ocean Essence My admiration for the coastline and the replication of textural elements that are often overlooked is what formed my enthusiasm for this project. ‘Ocean Essence,’ embodies the surroundings of specific shorelines to present wall art through texture,...

Kelly Sorcha Handy

Kelly Sorcha Handy

I am a craftsperson and textile artist, from Eryri. My work is very process-led and I specialise in felting, surface pattern design, and weaving. The main themes of my work are home, identity, and ecology. This project has been an exploration of coping with grief and...