Sophia Joy Warner

BA (Hons) Fine Art

Within today’s society, we have become so conditioned and blind sighted by the truth. I explore the devastating effects our simple food choices has upon the environment and our health. My work will make people more curious and question the food industries and everything that they have led us to believe. Animal agriculture is the leading cause of deforestation, water consumption and pollution, it is responsible for more greenhouse gases than the transportation industry, and it’s a primary driver to rain forest destruction, species extinction, habitat loss, topsoil erosion, ocean dean zones and virtually every other environmental ill. Yet it still goes on, almost entirely unchallenged. If I can shape one person’s way of thinking through my art that will be my job done.

I have chosen to focus my energies into etching as my main medium because it has the most wonderful varied techniques within it. I enjoy the technical side of this way of working the rigour of the process and attention to detail. At etchings core is a traditional drawing element, which allows the prints to have a detailed quality to them. I have most certainly surprised myself with how increasingly this appeals to me, as it has allowed my drawing to become more confident.


Yn y gymdeithas sydd ohoni heddiw, rydyn ni wedi’n cyflyru cymaint a fy nallu gan y gwirionedd. Rydw i’n ystyried effeithiau dinistriol ein dewis o fwyd syml ar yr amgylchedd ac ar ein hiechyd. Bydd fy ngwaith yn ennyn chwilfrydedd pobl fel eu bod yn cwestiynu’r diwydiannau bwyd a phopeth maen nhw wedi ein harwain i gredu. Amaethu anifeiliaid yw prif achos datgoedwigo, y defnydd o ddŵr a llygredd. Mae’n gyfrifol am fwy o nwyon tŷ gwydr na’r diwydiant cludiant, ac achos sylfaenol dinistrio fforestydd glaw, difodiant rhywogaethau, colli cynefin, erydu uwchbridd, parthau marw moroedd a bron pob aflwydd amgylcheddol arall. Ac eto mae’n dal i ddigwydd yn ddiwrthwynebiad. Os galla i newid ffordd o feddwl unigolyn drwy fy nghelf , yna bydd a i wedi gwneud fy gwaith.

Rydw i wedi dewis ffocysu fy egni ar ysgythru fel fy mhrif gyfrwng oherwydd ei fod yn cynnwys technegau amrywiol rhyfeddol. Rydw i’n mwynhau ochr dechnegol y dull hwn o weithio, manwl gywirdeb y broses a’r sylw a roddir i fanylder. Yn greiddiol i ysgythru mae’r elfen lluniadu traddodiadol sy’n golygu bod rhinweddau manwl i’r printiadau. Rydw i wedi synnu fy hun bod hyn yn apelio fwyfwy ata i gan ei fod wedi caniatáu i mi luniadu’n fwy hyderus.

Other Exhibitors:

Menna Dummett

Menna Dummett

My work currently surrounds the study of important individuals in my life. I aim to reflect the subtle emotions that can be captured candidly whilst watching someone closely and understanding them. My work predominantly consists of coloured pencil drawings which I...

Elena Grace

Elena Grace

My current practice focuses on Grief and Absence explored through lived spaces, this is visualised in oil paintings using muted colours and brushwork techniques to form a blurry illusion representative of memory. These paintings search for value in inanimate things...

Katie Cook

Katie Cook

I have been directing my studio practice towards the theme of animal abuse, animal neglection, pet breading/ selling and rescue animals. I have a few reasons as to why I want to make my artwork around these themes. I have a fair amount of rescue animals myself; I love...

Louise Emily Brown

Louise Emily Brown

My work evolves from the perception of the female body and occurs through the process of capturing my naked body in a variety of different naturalistic locations. These works are in response to the media’s representation of the female body and its negative effects on...

Ellie Stitfall

Ellie Stitfall

My current practice involves a collaborative element by asking people what their recent dreams have been; however crazy or mundane, so I can work collectively with their ideas and my own artistic influence, to create a visually engaging artwork of the imagination. I...

Frankie Hedger

Frankie Hedger

My artwork is made in response to the ambitions that I have to create a sustainable art practice. In this bid to create the type of practice I desire, I have concentrated on using materials that have both; achievably sustainable making processes and outcomes. Whilst...