Saskia Raw

BA (Hons) Ceramics

Saskia Raw

The stacked tea bowls pose a contradiction between function and sculpture, referencing human interaction and the more compositional concerns of weight, shape, form and balance. The consequence of this is a sense of unpredictability, of familiar objects moving into and out of view.

The bowls look as though they could topple over in places and the raku glaze creates natural cracks and an unpredictable, unique pattern.

To receive this effect on the vessels, they have to go through an incredibly traumatic process which I compare to human beings. I believe that people have to go through good times and bad to become who they are as a person, in comparison, the ceramic vessel has to be heated to extreme temperatures and then cooled quickly, set on fire and cracked to become what it is.
The way in which the stacks are testing balance represents how people are all different and how trauma throws people off balance to the point where they are about to give up. This conveys a sense of exploring life and the struggle to claim identity.


Mae’r pentwr o bowlenni te yn cyfleu anghysondeb rhwng swyddogaeth a cherflunwaith, gan gyfeirio at ryngweithio dynol ac ystyriaethau mwy cyfansoddiadol pwysau, siâp, ffurf a chydbwysedd. Canlyniad hyn yw ymdeimlad o natur anrhagweladwy, gwrthrychau cyfarwydd sy’n symud i’r golwg ac o’r golwg.

Mae’r powlenni’n edrych fel pe gallent ddymchwel mewn mannau ac mae’r gwydredd raku’n creu craciau naturiol a phatrwm unigryw na ellir ei ragweld.

Er mwyn cael yr effaith hon ar y llestri, mae’n rhaid iddyn nhw fynd drwy broses hynod drawmatig yr wyf yn ei chymharu â bodau dynol. Dwi’n credu bod rhaid i bobl fynd trwy gyfnodau da a drwg i ddatblygu fel pobl, ac fel cymhariaeth, rhaid cynhesu’r llestri ceramig i dymheredd eithafol ac yna eu hoeri’n gyflym, eu rhoi ar dân a’u cracio er mwyn creu’r hyn ydyn nhw.
Mae’r ffordd y mae’r pentyrrau’n profi cydbwysedd yn cynrychioli sut mae pobl yn wahanol i gyd a sut mae trawma yn taflu pobl oddi ar eu hechel tan iddynt gyrraedd pen eu tennyn bron iawn. Mae hyn yn cyfleu ymdeimlad o archwilio bywyd a’r frwydr i hawlio hunaniaeth.

www.rawceramics.myportfolio.com

Other Exhibitors:

Sarah Plant

Sarah Plant

There is narrative in everything. Materials are imbued with stories even before we start moulding them into shape. Clay is no exception, from...

Paul Kharade

Paul Kharade

I produce wheel-thrown vessels that I create with a sense of spontaneity, capturing the feeling of movement and growth. These qualities are...

Simone Youngman

Simone Youngman

There is so much beauty to be found in art history, particularly the figurative work of Rodin, Kahlo and Moore. There is an energy contained in...

Rebekah Barnett

Rebekah Barnett

“Life is like texture” Elizabeth day" (2020) Porcelain does what it wants, it remembers every touch we encounter on it and leaves a memory of our mistakes...

Lucy Turner

Lucy Turner

Through the outsourcing and mechanisation of labour and the outsourcing of materials, we have steadily become increasingly distanced from the objects that...

Rhyann Arthur

Rhyann Arthur

In this project I have been exploring the hierarchy of materials within ceramics as a study into the accustomed narratives of museum curation. The...